Starting today, you can pre-order Introduce Yerself in Gord Downie’s official store.
The music was recorded swiftly over two four-day sessions in January 2016 and February 2017, with the final album often reflecting first takes.
The album continues the collaborative relationship that last year brought the music of Downie’s historic Secret Path to life, with Drew producing the album and co-writing a number of the new songs.
Introduce Yerself will be released on CD and digital on October 27. The vinyl will be in stores December 1 in a double gatefold jacket with two pull-out posters.
GORD DOWNIE ANNOUNCES SECRET PATH
STATEMENT BY GORD DOWNIE
Ogoki Post, Ontario
September 9, 2016
Mike Downie introduced me to Chanie Wenjack; he gave me the story from Ian Adams’ Maclean’s magazine story dating back to February 6, 1967, “The Lonely Death of Charlie Wenjack.”
Chanie, misnamed Charlie by his teachers, was a young boy who died on October 22, 1966, walking the railroad tracks, trying to escape from the Cecilia Jeffrey Indian Residential School to walk home. Chanie’s home was 400 miles away. He didn’t know that. He didn’t know where it was, nor how to find it, but, like so many kids – more than anyone will be able to imagine – he tried. I never knew Chanie, but I will always love him.
Chanie haunts me. His story is Canada’s story. This is about Canada. We are not the country we thought we were. History will be re-written. We are all accountable, but this begins in the late 1800s and goes to 1996. “White” Canada knew – on somebody’s purpose – nothing about this. We weren’t taught it in school; it was hardly ever mentioned.
All of those Governments, and all of those Churches, for all of those years, misused themselves. They hurt many children. They broke up many families. They erased entire communities. It will take seven generations to fix this. Seven. Seven is not arbitrary. This is far from over. Things up north have never been harder. Canada is not Canada. We are not the country we think we are.
I am trying in this small way to help spread what Murray Sinclair said, “This is not an aboriginal problem. This is a Canadian problem. Because at the same time that aboriginal people were being demeaned in the schools and their culture and language were being taken away from them and they were being told that they were inferior, they were pagans, that they were heathens and savages and that they were unworthy of being respected – that very same message was being given to the non-aboriginal children in the public schools as well… They need to know that history includes them.” (Murray Sinclair, Ottawa Citizen, May 24, 2015)
I have always wondered why, even as a kid, I never thought of Canada as a country – It’s not a popular thought; you keep it to yourself – I never wrote of it as so. The next hundred years are going to be painful as we come to know Chanie Wenjack and thousands like him – as we find out about ourselves, about all of us – but only when we do can we truly call ourselves, “Canada.”
NEW ALBUM PRODUCED BY KEVIN DREW AND DAVE HAMELIN
GRAPHIC NOVEL BY JEFF LEMIRE & CBC ANIMATED FILM SPECIAL
SECRET PATH TELLS THE STORY OF CHANIE WENJACK, AN INDIGENOUS BOY WHO DIED RUNNING AWAY FROM A RESIDENTIAL SCHOOL FIFTY YEARS AGO
PROCEEDS WILL BE DONATED TO THE NATIONAL CENTRE FOR TRUTH AND RECONCILIATION
ALBUM AND GRAPHIC NOVEL AVAILABLE FOR PRE-ORDER AT WWW.SECRETPATH.CA
Gord Downie began Secret Path as ten poems, incited by the story of Chanie Wenjack, a twelve year-old boy who died in flight from the Cecilia Jeffrey Indian Residential School near Kenora, Ontario, fifty years ago, walking home to the family he was taken from over 400 miles away. Gord was introduced to Chanie Wenjack (miscalled “Charlie” by his teachers) by Mike Downie, his brother, who shared with him Ian Adams’ Maclean’s story from February 6, 1967, “The Lonely Death of Charlie Wenjack.”
The stories Gord’s poems tell were fleshed into the ten songs of Secret Path with producers Kevin Drew and Dave Hamelin. Recording took place over two sessions at The Bathouse Recording Studios in Bath, Ontario, November and December 2013. The music features Downie on vocals and guitars, with Drew and Hamelin playing all other instruments. Guest musicians include Charles Spearin (bass), Ohad Benchetrit (lap steel/guitar), Kevin Hearn (piano), and Dave “Billy Ray” Koster (drums).
In winter 2014, Gord and Mike brought the recently finished Secret Path music to graphic novelist Jeff Lemire for his help illustrating Chanie Wenjack’s story, bringing him and the many children like him to life.
The ten song album will be released by Arts & Crafts accompanied by Lemire’s eighty-eight page graphic novel published by Simon & Schuster Canada. Secret Path will arrive on October 18, 2016, in a deluxe vinyl and book edition, and as a book with album download.
Downie’s music and Lemire’s illustrations have inspired the The Secret Path, an animated film to be broadcast by CBC in an hour-long commercial-free television special on Sunday, October 23, 2016, at 9pm EST (9:30 NT).
The Secret Path was created, written, and directed by Gord Downie, composed by Gord Downie with Kevin Drew and Dave Hamelin, and illustrated by author Jeff Lemire. The film is executive produced by Mike Downie, Patrick Downie, Gord Downie, and Sarah Polley. The Secret Path is produced by Entertainment One (eOne) and Antica Productions Ltd. in association with CBC, with the participation of the Canada Media Fund and the Canadian Film or Video Production Tax Credit. Jocelyn Hamilton is executive producer for eOne Television and Stuart Coxe is executive producer for Antica Productions. Justin Stephenson is director of animation.
The broadcast date marks the fiftieth anniversary of the morning Chanie’s body was found frozen beside the railroad tracks only twelve miles into his journey.
Proceeds from Secret Path will be donated to The Gord Downie Secret Path Fund for Truth and Reconciliation via The National Centre for Truth and Reconciliation (NCTR) at The University of Manitoba. The NCTR is dedicated to preserving the history of the residential schools in Canada, making this history known, and moving our country forward on the path of reconciliation.
Secret Path acknowledges a dark part of Canada’s history – the long-supressed mistreatment of Indigenous children and families by the residential school system – with the hope of starting our country on a road to reconciliation. Every year as we remember Chanie Wenjack, the hope for Secret Path is that it educates all Canadians young and old on this omitted part of our history, urging our entire nation to play an active role in the preservation of Indigenous lives and culture in Canada.
Jeff Lemire shares insight on Secret Path:
I first met Gord Downie and his brother Mike back in the winter of 2014. They wanted to discuss a potential project and, over coffee, they told me the story of Chanie “Charlie” Wenjack. Gord was then in the final stages of recording his incredible songs based on Chanie’s life and he shared the rough mixes with me in the hopes that I would be interested in creating a graphic novel to accompany his album. Before we left the coffee shop I knew I was going to do it. I had to. Chanie’s story is one that will not let you go once you hear it. It’s a story that can’t be ignored. And yet, somehow, it has been ignored. By nearly all of us.
Growing up white in Southern Ontario, I never learned about Chanie Wenjack or about any of the tens of thousands of other indigenous children like him who were part of Canada’s residential school system. This is such a massive part of our country’s history, yet our schools didn’t teach us about it. Why? Maybe because it’s easier to live with ourselves if we pretend stories like Chanie’s never happened. But they did happen, and still happen. Chanie Wenjack lived and died, and no one knows his story.
I’ve spent the last three years living with Chanie’s story and living inside Gord’s music. Gord’s haunting songs introduced me to Chanie Wenjack. Music is universal. It crosses languages and cultures and speaks to everyone, and I’ve always felt the medium of comics could do the same. It’s our hope that one day Secret Path will be taught in schools and that it will help to shed a light on this all too often ignored part of Canada’s past. I think, above all else, that’s what Gord and I wanted to create: something that can’t be ignored. Every Canadian should know Chanie Wenjack’s name and I hope Secret Path helps to make that a reality.
w/ Graphic Novel by Jeff Lemire
Deluxe Edition (Vinyl & Book)
October 18, 2016
Arts & Crafts
w/ Graphic Novel by Jeff Lemire
Book w/ Download
October 18, 2016
Simon & Schuster Canada
The official “CRATER” video is here! Directed by Norman Wong and projections by Nik Dudukovic.
“This is what you’re seeing. It isn’t us; It is the project. The story isn’t our identities or what has been projected onto us. The story is about the doing of the thing. It is a crater we’re creating: getting crushed in our dreams or, in our dreams, doing all the crushing.”
~ Gord Downie
Check it out!
Gord Downie, The Sadies, And The Conquering Sun is set to release its self-titled debut record on April 15 via Arts & Crafts. The album is an emphatic arrival: the mission statement of a young band unhinged. Listen to Gord Downie, The Sadies, And The Conquering Sun’s ten songs of visceral punk rock exultation, a spirited exploration of the darkness surrounding daylight, courtesy of Exclaim and CBC Music in Canada, and American Songwriter in the US.
Gord Downie, The Sadies, And The Conquering Sun is the self-titled debut record. This is the mission statement of a young band unhinged. Ten songs of visceral punk rock exultation; a spirited half-hour exploration of the darkness surrounding daylight. Each song brims with energy, electricity embellishing a simple, rustic core — now all brash guitars and punk rock gnarl. Gord Downie, The Sadies, And The Conquering Sun is an arrival: the combustion of brotherhood and dissent: music of wisdom and innocence: poetry of promise and provocation.
Gord has been working on an exciting new project with his long time friends The Sadies. It came together urgently but slowly, after the long-time Toronto friends first collaborated at a 2006 Lake Ontario Waterkeepers benefit. Fleeting sessions over the next seven years yielded finished songs in immediate, alchemical takes. Gord Downie, The Sadies, And The Conquering Sun is the action of first-thought-best-thought.
The project’s namesake, “The Conquering Sun” fuses The Sadies’ rusted psychedelia with Downie’s humble, volatile wail. Mike Belitsky’s roiling drums, and Sean Dean’s sure, standing bass spur the band through uncharted desert-scapes.
Gord Downie, The Sadies, And The Conquering Sun boils with hope and irreverence; toils with fire as a tool and a curse. This is the combustion of brotherhood and dissent: music of wisdom and innocence:
I have known Andrea Nann a long time. We have worked together on a number of things over the years.
Andrea has always challenged me to look deeper. She has taught me so much about movement and expression
Andrea brings me to edge of touching what is, at once, our newest and oldest art form, dance.
I am grateful to know her.
I have the greatest amount of respect and admiration for dancers in today’s world; for their grace, their beauty, their strength and vulnerabilty.
Dancers do a balancing act on flat ground, holding a mirror to man’s reality while at the same time hinting at his ideal, and by doing so, remind us how unsure, how precarious, how high, flat ground can be.
Here’s what dancer/choreographer Crystal Pite once said; (more…)